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Hip Hop at the End of the World: The Photography of Brother Ernie
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Review
"More than 250 vintage snaps documenting the evolution of hip hop and the artists who shaped it on both coasts, featuring exclusive behind-the-scenes images of everyone from Biggie to Tupac to N.W.A., all accompanied by Brother Ernie’s personal anecdotes and candid stories behind the images." —Inside Hook
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About the Author
Brother Ernie (Ernest Paniccioli) is a photographer most known for his photographs of the hip-hop scene in the 80s and 90s. He is the author of the best selling book Who Shot Ya? and the subject of the award winning documentary The Other Side of Hip-Hop.
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Product details
Hardcover: 304 pages
Publisher: Universe (September 25, 2018)
Language: English
ISBN-10: 9780789334411
ISBN-13: 978-0789334411
ASIN: 0789334410
Product Dimensions:
8.3 x 1.3 x 10.3 inches
Shipping Weight: 3.4 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
38 customer reviews
Amazon Best Sellers Rank:
#287,433 in Books (See Top 100 in Books)
Peace! I'm 49 years old, so I'm old enough to have been fed Hip-Hop from ALMOST its infancy. I came up BEFORE the Golden Era came about! So this MAGNIFICENT piece of work by Bro. Ernie Paniccioli, captures the ESSENCE of that era EXACTLY as I remember it!If you're an old school Hip-Hopper like myself, you NEED this book! It has pics of Biggie, Tupac, X-Clan, Salt n Pepa, A Tribe Called Quest, Jungle Brothers, Busta Rhymes, Wu-Tang, Queen Latifah & MC Lyte are just a fraction of the people who are captured in their prime!!If you're a young head who was born in the late 90s & early 2000's you NEED this book so you can educate yourself on what Hip-Hop was and why us older heads love it so much! You can compare & contrast the culture of today against what the culture TRULY was before you were born."Hip Hop at the End of the World" Is an IMPORTANT piece of work by one of Hip-Hop's most influential photographers: Ernie Paniccioli! Salute Bro. Ernie!! Magnificent!!!
As we speak, I am picturing myself listening to my Kenwood radio in my 1992 Honda Civic. This amazing book has me traveling back in time . Most of these images I have never seen and I am in love (is that possible). As a lover and student of hip hop, I can almost hear the stories and conversations jumping off the pages. It's HUGE!!! I haven't put it down since it's arrival 1.5 hours ago. I highly recommend this book for ANYONE who is a lover of hip hop music, culture, style, history, groups, artist, etc. etc. etc. This is a must own. Get off your computers and indulge in this amazing book!!!
This is a beautiful hardcover book. I hadn't read anything about so I thought it might be like a lot of other "scene" photo books, where there is lots of text and few photos, and the only good ones are the ones you've already seen elsewhere. Not so with Hop Hop at the End of the World. Brother Ernie was prolific as hell, seeming to always be there for the great groups and getting the best shots.I don't know anything about Brother Ernie but I'm going to guess he wasn't trained by Ansel Adams or Annie Leibovitz. Not that they lack value in anyway but these photos are more rough photojournalism than studio glamour shots, and consequently the few studio shots included stand out as the anomaly. There are street shots, club shots, stoops shots, studio shots, and more street shots, mainly of the east coast founders of hip hop with some classic west coasters in there as well. If you think the cover is exactly what you want this book to be, than this is your book. To me it is a freaking treasure and I've never seen its like, so I'm happy.
When I was reading "The Source" and buying hip-hop cassettes in college in the early '90s, I never thought I would get to know Ernie Paniciolli, the man who shot iconic photos of so many of my favorite "rappers" in magazines and on album/CD/cassette covers. Full disclosure: I do know him, and I'm honored to call him a friend. But that's neither here nor there. These images, a couple from the late 1970s, the rest spanning the 1980s through Yasiin Bey (formerly Mos Def)'s last concert in 2016, present an amazing tableau of hip-hop history. There are vivid photos of artists both legendary (Grandmaster Flash, MC Lyte, Rakim, Queen Latifah, Roxanne Shante, Public Enemy, Brand Nubian, Nas) and less-remembered but no-less gifted (the criminally under-rated KMD). Along with many of the photos come captions describing the circumstances under which they were taken; on pgs. 110-113, learn why Sean "Puffy" Combs has "the biggest balls in hip-hop". There's a photo of Tupac taken a week before the first time he was shot. Shots of Ice Cube strangling the Statue of Liberty (he had a rather different persona before the "Are we There Yet?" series), Redman with Ronald McDonald in a chokehold. Ernie's photos include figures in no way associated with hip-hop - the Dali Lama, Yoko Ono, Boy George - and in this book you'll find hip-hop legends sharing the lens with music legends such as Isaac Hayes, Quincy Jones and Bootsy Collins. For a book so dominated by images - bright, colorful photos that have the power to transport the reader back to a time when New York City did not look like a sterile assemblage of identical glass towers - this one includes equally impressive text. It begins with an interview by Ian Luna in which we learn much about the circumstances which made Ernie Paniciolli who he is today and how he found his way into photography; it concludes with a wonderful poem by Jessica Care Moore in which she implores Ernie "never to quit/Even when we betray our own portraits" (as some of the MCs depicted in this book have done). Ernie's previous collection of hip-hop photography, , "Who Shot Ya?", is one of the books most "permanently-borrowed" from the New York City library where I work, and is now out of print. Here's hoping "Hip-Hop at the End of the World" remains in print forever, as it deserves.
I enjoyed this book immensely, being a child of hip Hop (born before 1973 when Kool Herc threw his Party) and being from Brooklyn which at that time seeemed light years away from the Bronx but was still an urban landscape always being defined. I grew up listening to Hip Hop and completely understood that it was an untapped and unique force of nature.Mr. Paniccioli was Hip Hop’s chronicler from the beginning. When I dabbled in photography when I was younger, I was told that a photograph can be far deeper that what is shown even if the picture was taken in the simplest of settings. Many of the photos were taken when the subjects were young themselves and just learning about what was around them. There are also pictures of artists that are no longer with us for various reasons. You could feel Mr. P’s sadness when he described some of those artists (particularly Aaliyah). For those of us like myself who are in the age range of many of the Artists shown, this book is a needed acknowledgement of what Hip Hop is and evolved to be. For the younger generation who doesn’t know anything about the Blood, Sweat and Tears that was spilled so y’all could do what y’all think you are doing, all y’all need to read this book and others like it.
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